Waterways Transmission 10
Sunday December 17th 2017
7:00 pm—9:00 pm
This one had some messy notes, maybe you’ll find them entertaining. Transmission 10 and the few previous to it all seemed to draw for a few core inspirations, DJ Koze’s Pampa label and its various compilations, Weyes Blood and her overall inspiring nature, and Nils Frahm. You will seem all 3 of the popup again and again for the mixes prior to, and after this one.
Field recordings continue to span the usual three records (Solitudes Vol. 4, Deep Voices [affectionately “Wales”] and Waterways) but I thought I’d list them in the way they are listed in my notes, just for fun.
- Solitudes Vol 4 – Side A – seagulls at 1/2” from start
- Waterfall at around 1inch, sol. Vol. 4
- Birds chirping
- Birds with lots of reverb
- Solitudes – Vol 4 Side A – Seagulls
- Waves
- Deep Voices – drifting off
- Waves
- Waterways 19:51 about 1 inch in at rain
- Wales
Set length: 1:39:36
Tracklist
- Lowercase Noises, Depths [-4 pitch]
- Dntel, Snowshoe [good at end, -4 pitch, -8 by the end]
- Sampha, Plastic 100°C
- Francis Bebey, Sanza Nocturne [-3 pitch, bring in with reverb and birds chirping, bring in waterfall at end towards end of solitudes 4 Side A]
- Jex Opolis, First Stomp [45 RPM, -8 pitch, loud record!]
- Incognito, Get Into My Groove (Jazzanova Regroove) [45 RPM at -6 pitch, start with low pass filter]
- The Destinations, I’ve Got To Dance (Disco Version) [45 RPM at -4 pitch, high pass at beginning and end, add reverb]
- Luanne La Havas, Lost & Found (Matthew Herbert Remix) [quieter record, -4 pitch, reverb at very end when beat stops, end at -8 pitch]
- Daft Punk, Veridis Quo [-8 pitch, bring in slow, fade out slow into seagulls]
- Weyes Blood, Montrose [track 4, keep seagulls in]
- Weyes Blood, Ashes [0 pitch, bring in with reverb and high pass as waterfall is coming closer]
- Eddi Front, Gigantic [-2 pitch]
- Nils Frahm, [Side 3, about half way through, play til clapping starts, fade out really slow, add reverb at end]